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Babylon the Great Is Cracking: Why the Doomsday Clock Just Moved Closer to Midnight

Saturn Devouring His Son' by Goya (c. 1819-1823). Housed at the Museo del Prado, Madrid, Spain. As reference in 'The Book of Revolution' by KYLIGHTS.

In 2025, the Doomsday Clock was set at a record 89 seconds to midnight: the closest humanity had ever come to symbolic self-destruction. On Tuesday 27 January 2026, at a press conference in Washington, DC, the Bulletin's Science and Security Board revealed a sobering message:


The clock has moved closer.


It now stands at 85 seconds to midnight. According to the Bulletin, this shift reflects escalating concerns around nuclear tensions, climate acceleration, AI governance failures, and nationalistic autocracies. But beneath these surface causes lies a deeper pattern: humanity is still operating inside a Babylonian model of power, extraction and control.


Headlines will frame this as a scientific update a geopolitical warning, a climate emergency signal, and a nuclear-risk assessment. But beneath all of that data lies a deeper truth most people aren’t being invited to see: this isn’t just about bombs, fascism or artificial intelligence. This is about Babylon.


Babylon Is Not a City. It Is a Pattern.


Long before physicists built a clock to warn us, ancient mythology and sacred texts were already describing the same phenomenon. They called it Babylon the Great. Babylon was never just a city or an empire, it is an archetype a recurring pattern of consciousness that appears whenever a civilisation becomes:


  • addicted to control

  • driven by greed

  • obsessed with domination

  • detached from truth

  • dependent on illusion

  • spiritually hollow but materially bloated


Babylon represents a way of organising reality that prioritises power over wisdom, profit over balance, and image over integrity. And here’s the part modern culture keeps missing:


Babylon is not destroyed by an vengeful God. Babylon is undone by the realities it manifests.


Babylon doesn’t just do bad things. It creates a specific set of consequences that always show up when a civilisation is built on control, corruption and imbalance. In modern terms, these consequences look something like:


1. Fake Leaders & Hollow Authority: power without wisdom breeds performance instead of leadership

  • narcissistic political figures

  • celebrity politicians

  • corporate CEOs with no moral compass

  • leaders chosen for optics, not competence

  • corrupt officials protected by legal loopholes

  • performative activism instead of real change

  • bureaucrats managing decline instead of visionaries shaping the future


2. Economic Instability & Financial Breakdown: a system built on greed eventually eats its own currency

  • inflation and cost-of-living crises

  • debt slavery (personal + national)

  • housing market bubbles

  • wage stagnation

  • stock market volatility

  • pension insecurity

  • collapsing middle class

  • billionaires hoarding wealth during recessions

  • “too big to fail” bailouts


3. Mass Illness & Chronic Disease Epidemics: a sick civilisation creates sick bodies

  • disease resurgence

  • autoimmune disorders

  • anxiety and depression epidemics

  • burnout culture

  • stress-related illness

  • obesity crises

  • addiction epidemics

  • global pandemics

  • pharmaceutical dependency

  • environmental toxin exposure


4. Environmental Blowback: what you extract without reverence eventually extracts back

  • climate disasters

  • floods, fires, droughts

  • food insecurity

  • water shortages

  • mass extinctions

  • soil depletion

  • pollution-related deaths

  • toxic air in cities

  • plastic in bloodstreams


5. Social Breakdown & Tribalisation: when truth collapses, people turn on each other

  • culture wars

  • political polarisation

  • race and gender conflicts

  • conspiracy movements

  • online harassment mobs

  • loneliness epidemic

  • collapse of trust

  • breakdown of community

  • rising hate crimes


6. Mental Health Collapse: a meaningless system produces meaningless suffering

  • mass anxiety

  • depression

  • nihilism

  • suicide spikes

  • identity confusion

  • doomscrolling

  • digital dissociation

  • medication overuse

  • spiritual emptiness


7. Technological Backlash: tools built without ethics become weapons against their creators

  • AI displacing jobs

  • algorithmic manipulation

  • surveillance capitalism

  • deepfakes

  • data breaches

  • tech monopolies

  • automation-driven inequality

  • digital authoritarianism


8. Loss of Money, Savings & Material Security: illusion-based economies eventually implode

  • banking crises

  • frozen accounts

  • currency devaluation

  • crypto collapses

  • retirement fund wipeouts

  • housing foreclosures

  • job market crashes

  • student debt traps


9. Moral Inversion & Ethical Decay: when bad behaviour is rewarded, everything rots

  • criminals in boardrooms

  • corruption normalised

  • truth punished

  • whistleblowers persecuted

  • war criminals unaccountable

  • sexual predators protected

  • exploitation rebranded as “success”


10. Loss of Meaning, Purpose & Hope: when people can’t imagine a future, they stop protecting the present

  • youth hopelessness

  • declining birth rates

  • cultural apathy

  • “nothing matters” ideology

  • disengagement from civic life

  • mass resignation (“quiet quitting”)

  • spiritual numbness


11. Authoritarian Drift: chaos invites controllers

  • emergency powers that never end

  • censorship

  • militarised policing

  • digital IDs

  • biometric tracking

  • social credit systems

  • protest criminalisation

  • erosion of civil liberties


12. Cultural Degradation: when profit replaces beauty, culture decays

  • soulless entertainment

  • algorithmic art

  • commodified creativity

  • hyper-sexualised media

  • intellectual shallowness

  • influencer culture replacing wisdom

  • clickbait replacing journalism


Sound familiar?


Babylon doesn’t fall because it’s attacked. It falls because it rots from the corruption it created.


'Saturn Devouring His Son' by Goya (c. 1819-1823)


The macabre and distressing artwork illustrating this post of the god Saturn consuming his own child painted in isolation on the walls of Goya’s home captures the essence of parasitic cruelty: the consuming of life to postpone one’s own collapse. It’s a perfect portrait of power at Doomsday, when an empire senses the hourglass thinning and turns inward to feed on its own future.


Saturn is not regal, but desperate. Not sovereign but enslaved by his own paranoia. Like all emotional abusers, tyrants and collapsing systems, he does not draw strength from within. He feeds on others to compensate for a transformation he cannot face. This is Babylon the Great in her final costume: bloated with stolen vitality, drunk on domination devouring her children to keep the illusion of control alive just a little longer.


But this hunger is never satisfied because it is the hunger of disconnection. The endless appetite of a soul untethered from life force itself. When a civilisation loses its inner light, it turns cannibal. When it forgets how to create, it learns only how to consume. True power creates, false power devours.


The Origins of the Doomsday Clock


The Doomsday Clock was created in 1947 by scientists from the Manhattan Project including Albert Einstein and J. Robert Oppenheimer the same minds who helped create the atomic bomb. Shaken by the power they had unleashed, they founded the Bulletin of the Atomic Scientists and designed the clock as a symbolic warning to humanity. Midnight doesn’t mean literal doomsday, it means a point of irreversible civilisational failure.


Each year, the clock is adjusted based on risk factors including:

  • nuclear weapons proliferation

  • climate instability

  • artificial intelligence and biotech

  • geopolitical tensions

  • cyber warfare and disinformation

  • societal polarisation


In other words: the Doomsday Clock isn’t a prophecy, it’s a diagnostic tool. It doesn’t predict the future it reflects the trajectory we are already on. Which makes its latest movement even more revealing.


The Warning Comes Before the Fall


One of the most misunderstood aspects of prophecy is timing. People expect sudden catastrophe explosions, fire from the sky, an instant apocalypse. But that’s not how collapse actually works. Collapse is slow, incremental, bureaucratic, psychological and structural. And it always announces itself in advance.


In the Babylon archetype, the warning signs come first. And in this sense, the Doomsday Clock is not a threat, it is a mirror. It is Babylon reading its own image back to itself.


Moral Physics: Why the Clock Keeps Moving


There is a deeper law at work here older than religion, older than science, older than civilisation itself. Call it karma, call it resonance, call it cause and effect, or call it moral physics. Whatever name you choose, the rule is simple: systems built on distortion cannot sustain coherence. When a civilisation becomes misaligned with ecological balance, human dignity, truth, responsibility, long-term thinking or collective wellbeing, it begins generating internal resistance.


And that resistance shows up as political dysfunction, economic volatility, climate chaos, social unrest, technological instability, rising authoritarianism and cultural nihilism. Not because the Universe is cruel, but because misalignment produces friction. Babylon doesn’t fall out of the sky, it collapses from the inside out. And the Doomsday Clock is tracking that collapse in real time. It’s not predicting doom, it’s documenting Babylon’s vital signs.


Every year the clock ticks closer to midnight, it is saying the same thing 'Revelation' said thousands of years ago: you are living beyond your moral and energetic means.


This Is Not the End of the World (It’s the End of a Way of Being)


In the biblical story, Babylon absolutely falls. But it is not the end of humanity it is the end of a consciousness. After Babylon comes something else:


  • a new social order

  • a new moral architecture

  • a new relationship with power

  • a new relationship with nature

  • a new level of collective awareness


The fall of Babylon is not an apocalypse, it is an unveiling. It’s what happens when a civilisation is forced to grow up.


Why This Moment Is Different


This is the part that makes 2026 feel unlike any other year before it. For the first time in history, humanity has world-ending weapons, planet-altering technology, artificial superintelligence, global interconnection, ecological tipping points, real-time feedback systems, and ancient wisdom re-emerging alongside millions of people waking up at once.


We are not just approaching collapse, we are approaching a choice point. One path is familiar and features more control, more extraction, more surveillance, more weapons, more consumption, more distraction, and more centralised power. That is the Babylon path.


The other path is quieter: balance, cooperation, decentralisation, ecological reverence, technological humility, emotional intelligence, spiritual maturity, integrated systems and sovereign individuals. This is the post-Babylon path.


The Doomsday Clock is not asking which path we want, it is revealing which path we are on.


The Real Second Coming Isn’t in the Sky


The ancient writers said Babylon would fall, they also said something else would rise. Not an empire, not a messiah descending from clouds, not a technological saviour, but a new consciousness. A collective awakening, a rebalancing of masculine and feminine principles, a return to truth, coherence and wisdom. And a restoration of inner sovereignty. In this sense, the Doomsday Clock isn’t just a warning it’s an invitation to end Babylon with (r)evolution.


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If this resonates with you, I explore the Doomsday Clock and Babylon the Great in greater depth in The Book of Revolution. There I discuss how ancient prophecy, science and alchemy converge to tell the story of humanity's great awakening – a story we are all living right now.


Image caption: ‘Saturn Devouring His Son' by Goya (c. 1819-1823). Housed at the Museo del Prado, Madrid, Spain. Public Domain.

 
 
 

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©2026 by KYLIGHTS

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